Product name Salpinx
Cat. No. 0086100A
No. of samples 1
Description salpinx, normal
Age/Sex : 39/F
Price 197 EUR
260 USD
170 GBP


Product Related Literature

Cone consisting of a bell (also brass) straight, with fine bronze tube mouthpiece bone, ball, and fallopian tubes, which describes the spherical body in a variety of shapes and sizes of existing descriptions. Bell type Any can have a unique effect on the noise radiation by the device. The instrument is depicted in classical vase plurality with the ERA, such as using the same phorbeia to those used in aulos player age. Rome is of such tubes, fallopian tube is shorter than the tube Roman about 1.5 meters long. In rare cases of fallopian tube, held museum, in the Boston Museum of Fine Arts, is a unique in that it is made of 13 pieces of bone by connecting it using the socket and (bronze bushing with) Bolt, long and in the place of bronze tube other not. It is a progress of the total oviduct expected tube egg to become the arrest above around 0.8 long 1.57 m – 1.20 m long.

Tube is a civilization of very early, is it, that the design of straight trumpet found where long, when, in the fallopian tube to origin identification is difficult. Reference to the fallopian tube is common in literature and art of Greece. You can be found in the Iliad of Homer, however, this old-fashioned reference is unique, the frequent reference, early description of the sound of the fallopian tube is not found in the classical period. Fallopian tube is associated with a version of Egypt most closely, but such tools, can be found in Egypt Anatolia, and Mesopotamia. The derivative of Etruscan Tyrrhenoi of exonym, a reference to the fallopian tube in classical literature, includes mention of the instrument to be used by the Greeks as alluding to the Etruscans often.

Tool of bronze is important among Etruscan, people were high popularity Greeks for contribution Musical them. Fallopian tube is supported by the Greeks in this way as the invention of Etruscan, you can A variety of explanations are found among the author Sophocles Aeschylus, and Pollux,. It provides a small degree some of the uncertainty, Etruscan people, scattered references to the fallopian tube in contact before the Greek and Etruscan, and oviduct, fallopian tube type of a tool described by countless Eustathius of Thessalonia It is that instrument could be introduced to the Greeks in any way by is high is whether coming directly from an intermediate source or several, from Greek Etruscan.

When seen in art and literature of Greece, fallopian tube is depicted as being played by normal soldier. The writer of the fifth century, “piercing sound” of his battle, a tool that is used for the call in droves signaling and the chariot racing early often associated with often. The explanation is confirmed in writing to Aristotle to de Audibilibus, to have been used as salpinges, this is, to Aristide Quintilianus music “and games such as musical instruments,,. Not that make music in the summoning of … war” in, can help you understand the need for (players fallopian tube) salpingtis and fallopian tube in the battle in his paper. All commands of the army, he tells you that it is done with th “song” of the fallopian tube and a particular tone. This action, the military get it once, call the oviduct of these are specific to the group, was able to provide a level of secrecy to be an unknown enemy.

However, that despite the explosion of unique fallopian tube is high-pitched, to overcome collision of metal, screams of wounded, the growl of aggression from the ranks of the soldiers would be difficult. Therefore, in order to encourage people to prepare for combat mainly, fallopian tube has sounded the charge and use before the fight. However, Andrew Barker, describes the possible exceptions of the practical use of the reference to Aristotle wrote fallopian tube. “It will give the sound, everyone is friendly as possible. Is easing because of the tension of breath to play the fallopian tube at the time of … joy” as well as use in the celebration, found the war oviduct This it is here that might. It is supported by Nikos Xanthoulis in his article, here. “The oviduct of ancient Greece”, this idea in order to smooth the sound Komos participants “… draw particular attention to the statement of Aristotle he “To create indicate that you want to use the street festival and dance Komos, and music, the tools to out of the army, more comfortable sound, and” relax. tension breath to fallopian tube to voltage tight ” I will need. Function more universal another tubal, is to use it as a means to unite in order to silence the collection rowdy crowd over. This is useful to set the region in places like large gathering as a tool for while dealing with people in general, both to calm the soldiers.

In order to simulate the sound ancient musical instrument digital sound / tone reconstruction applications (ASTRA) fallopian tube, will be re-created from the project by using the physical modeling synthesis sound of fallopian tube. Due to the complexity of this process, ASTRA project is using grid computing to hundreds of computer modeling of the sound of Europe. ASTRA, including epigonion of the sound aulos,,, is re-created by Syrinx and barbiton, along with the ancient musical instruments of other fallopian tube is part of the Lost Sounds Orchestra.